Many of these thoughts are not original. I am merely compiling some observations and insights of people who know better.
http://anja-singam-
Measures of proficiency:
There
are many analogies in other fields where the level of scholarship and
familiarity needed to become a professional are way higher than the
field of sanskrit studies in western universities. As far as I have
seen, Sheldon Pollock, who is the person at the helm of Murty library, is
not fluent at all in spoken sanskrit. His contribution to sanskrit
literature in terms of his own compositions is shUnya (zero). How can
such a person be a scholar of sanskrit, which places great emphasis on the
ability to compose? The great art of avadhAnA tests the all round
ability and proficiency of the contestant like no other contest that I
am aware of. As a comparison, a carnAtic musician faithfully reproducing
sangathIs would never be respected as a good artist since there is very
high emphasis on impromptu composition. Someone who knows music or
cooking can only be a music critic or food critic. So the inability to
compose their own work makes Pollock, Doniger and the others in the
translation business only sanskrit literary critics?
The case of Ingalls and devaluation of other methods of study:
Daniel
Ingalls was a sanskrit professor who taught at Harvard. His academic
progeny includes luminaries like Sheldon Pollock and Wendy Doniger. The
curious case with this person is that he learnt sanskrit from shivrAm
dattAtray jOshI and ended up advising jOshI for his Harvard PhD in
sanskrit! This is the strangest student teacher relationship that I have
come across. There are definitely cases when students are smarter than
their teachers and end up accomplishing much more, but an American
advising a sanskrit scholar for a PhD in sanskrit? In fact, joshi had to
first do a BA since he only had "traditional training" in sanskrit.
jOshI's sense of self worth should have been pitifully low for him to
take this course instead of continuing his teaching at pUnA university.
This episode goes to show how traditional methods of studying sanskrit
are being systematically devalued.
As another analogy, this is similar to a westerner getting trained by someone as great as Semmangudi in Carnatic music, and inviting Semmangudi to Harvard to do a BA in music because he only has "traditional training". Because ragas are different from scales. Because gamakas do not even have notations on paper. Somehow western ideas on arts, music and society have got an upper hand. All the blame does not by any means lie on westerners. They are merely trying to understand India using the tools that they have. But we have completely forgotten and devalued our own tools, let alone sharpen them to analyze newer thoughts like marxism, feminism, etc. that have emanated from the west. These days veda pAthasAlAs do not even teach sanskrit to their students. Apart from a few centers, they only teach students memorization of vEdAs and unhealthy attitudes about other traditions. As a result we have all but lost our traditions of pUrvapakshA--the analysis of the "others" which Shankara from the advaitA school did on mimAmsakAs and baudhdhAs--which needs desperate revival. We have instead borrowed techniques and words like secularism, diversity, scientific temper, etc. from the west and lost out on our own ideas about these issues.
As another analogy, this is similar to a westerner getting trained by someone as great as Semmangudi in Carnatic music, and inviting Semmangudi to Harvard to do a BA in music because he only has "traditional training". Because ragas are different from scales. Because gamakas do not even have notations on paper. Somehow western ideas on arts, music and society have got an upper hand. All the blame does not by any means lie on westerners. They are merely trying to understand India using the tools that they have. But we have completely forgotten and devalued our own tools, let alone sharpen them to analyze newer thoughts like marxism, feminism, etc. that have emanated from the west. These days veda pAthasAlAs do not even teach sanskrit to their students. Apart from a few centers, they only teach students memorization of vEdAs and unhealthy attitudes about other traditions. As a result we have all but lost our traditions of pUrvapakshA--the analysis of the "others" which Shankara from the advaitA school did on mimAmsakAs and baudhdhAs--which needs desperate revival. We have instead borrowed techniques and words like secularism, diversity, scientific temper, etc. from the west and lost out on our own ideas about these issues.
buddhA and baudhdhA studies:
Assume
that a US university is starting a dhArmic studies department and is
looking for a chair in Buddhist studies. I very much doubt if mahAtmA
buddhA would even be able to get a tenure track position, let alone
become the chair of Buddhist studies. The same thing goes for Advaita
studies. Would any western university invite one of the shankarAchAryAs
or ramaNa maharishi, who live and breathe the tradition, to teach them
advaita in the "traditional" sense? But we can routinely see jesuits in
the payrolls of divinity schools researching dhArmic traditions from
Judeo-Christian viewpoints. I again come back to the earlier point of
how dhArmic institutions have completely failed in analyzing other
schools of thought. We had to wait till swAmi vivEkAnandA to get a
clear, thoughtful and even scathing assessment of Abrahamic traditions.
Waves and waves of invasions did not spur our institutions to analyze
Abrahamic traditions. dhArmic thought probably got blunted by bhaktI. It
remains blunt, subverted and totally incapable of understanding and
producing counter narratives to any foreign idea, be it marxism,
globalisation, capitalism, etc.
What to do:
स्वाध्यायान् मा प्रमथः |
Never waver from learning (sikshAvalli of taitrIya upanishad).
--
Thoughts heavily borrowed from other people and discussions with seniors.